History is a construction. What happens when we bring stories consigned to the margins up to the light? How does that complicate our certainties about who we are, as individuals, as nations, as human beings? As in her fiction, the essays in Out of the Sun demonstrate Esi Edugyan's commitment to seeking out the stories of Black lives that history has failed to record. In five wide-ranging essays, written with the rise of the Black Lives Matter movement in the background, Edugyan reflects on her own identity and experiences. She delves into the history of Western Art and the truths about Black lives that it fails to reveal, and the ways contemporary Black artists are reclaiming and reimagining those lives. She explores and celebrates the legacy of Afrofuturism, the complex and problematic practice of racial passing, the place of ghosts and haunting in the imagination, and the fascinating relationship between Africa and Asia dating back to the 6th Century. With calm, piercing intelligence, Edugyan asks difficult questions about how we reckon with the past and imagine the future.

The Time is Always Now: Artists Reframe the Black Figure edited by Ekow Eshun celebrates flourishing Black artists whose work illuminates the richness, beauty and complexity of Black life. ---------- "There is never a time in the future in which we will work out our salvation. The challenge is in the moment, the time is always now." - James Baldwin ---------- The Time is Always Now: Artists Reframe the Black Figure assembles contemporary African diasporic artists working in the UK and US whose practice foregrounds the Black figure. Edited and with texts by Ekow Eshun, and original essays by Bernardine Evaristo, Esi Edugyan and Dorothy Price. Published to coincide with the exhibition at the National Portrait Gallery, London, this publication explores and celebrates contemporary Black artists internationally who work within Black figuration. This visual and beautifully produced book examines contemporary figurative artworks against a backdrop of heightened cultural visibility. Within this context, its collected paintings, drawings and sculptures take on a dual role as the accomplished work of individual artists and as a collective assertion of Black presence. Through a three-part structure containing detailed artist profiles and stunningly reproduced artworks, the publication examines Black figuration as a means to address the absence and distortion of Black presence within Western art history. Profiled artists include Hurvin Anderson, Michael Armitage, Jordan Casteel, Njideka Akunyili Crosby, Noah Davis, Godfried Donkor, Kimathi Donkor, Denzil Forrester, Lubaina Himid, Claudette Johnson, Titus Kaphar, Kerry James Marshall, Toyin Ojih Odutola, Chris Ofili, Jennifer Packer, Thomas J. Price, Nathaniel Mary Quinn, Lorna Simpson, Amy Sherald, Henry Taylor and Barbara Walker.

'A remarkable set of essays unlike anything else' - Kadish Morris, Guardian As in her fiction, the essays in Out of the Sun demonstrate Esi Edugyan's commitment to seeking out the stories of Black lives that history has failed to record. Written with the death of George Floyd and the rise of the Black Lives Matter movement in the background, in five wide-ranging essays Edugyan reflects on her own identity and experiences as the daughter of Ghanaian immigrants. She delves into the history of Western Art and the truths about Black lives that it fails to reveal, and the ways contemporary Black artists are reclaiming and reimagining those lives. She explores and celebrates the legacy of Afrofuturism, the complex and problematic practice of racial passing, the place of ghosts and haunting in the imagination, and the fascinating relationship between Africa and Asia dating back to the 6th Century. With calm, piercing intelligence, and a refusal to think on anyone's terms but her own, Edugyan asks difficult questions about how we reckon with the past and imagine the future, and invites the reader to think alongside her in working out what the answers to these may be.

SHORTLISTED FOR THE MAN BOOKER PRIZE 2018

WINNER OF THE GILLER PRIZE

FINALIST FOR THE CARNEGIE MEDAL AND THE ROGERS WRITERS TRUST FICTION PRIZE

New York Times Top Ten Book of the Year 2018

'A masterpiece' Attica Locke

'Strong, beautiful and beguiling' Observer

'Destined to become a future classic ... that rare book that should appeal to every kind of reader' Guardian

When two English brothers take the helm of a Barbados sugar plantation, Washington Black - an eleven-year-old field slave - finds himself selected as personal servant to one of them. The eccentric Christopher 'Titch' Wilde is a naturalist, explorer, scientist, inventor and abolitionist, whose single-minded pursuit of the perfect aerial machine mystifies all around him.

Titch's idealistic plans are soon shattered and Washington finds himself in mortal danger. They escape together, but then Titch disappears and Washington must make his way alone, following the promise of freedom further than he ever dreamed possible. Inspired by a true story, Washington Black is an extraordinary tale of a world destroyed and made whole again.

Chip told us not to go out. Said, don't you boys tempt the devil. But it been one brawl of a night, I tell you.

The aftermath of the fall of Paris, 1940. Hieronymous Falk, a rising star on the cabaret scene, was arrested in a cafe and never heard from again. He was twenty years old. He was a German citizen. And he was black.

Fifty years later, Sid, Hiero's bandmate and the only witness that day, is going back to Berlin. Persuaded by his old friend Chip, Sid discovers there's more to the journey than he thought when Chip shares a mysterious letter, bringing to the surface secrets buried since Hiero's fate was settled.

In Half Blood Blues, Esi Edugyan weaves the horror of betrayal, the burden of loyalty and the possibility that, if you don't tell your story, someone else might tell it for you. And they just might tell it wrong ...

Winner of the Scotiabank Giller Prize
Man Booker Prize Finalist 2011
An "Oprah Magazine" Best Book of the Year
Shortlisted for the Governor General's Literary Award for Fiction
Berlin, 1939. The Hot Time Swingers, a popular jazz band, has been forbidden to play by the Nazis. Their young trumpet-player Hieronymus Falk, declared a musical genius by none other than Louis Armstrong, is arrested in a Paris cafe. He is never heard from again. He was twenty years old, a German citizen. And he was black.

Berlin, 1952. Falk is a jazz legend. Hot Time Swingers band members Sid Griffiths and Chip Jones, both African Americans from Baltimore, have appeared in a documentary about Falk. When they are invited to attend the film's premier, Sid's role in Falk's fate will be questioned and the two old musicians set off on a surprising and strange journey.

From the smoky bars of pre-war Berlin to the salons of Paris, Sid leads the reader through a fascinating, little-known world as he describes the friendships, love affairs and treacheries that led to Falk's incarceration in Sachsenhausen. Half-Blood Blues is a story about music and race, love and loyalty, and the sacrifices we ask of ourselves, and demand of others, in the name of art.

Samuel Tyne always believed he was destined for greatness. Emigrating to Canada from Ghana in the 1960'S was the first step on this path, but fifteen years later his grand plans have stalled. He now has a wife Maud, twin thirteen year old daughters Chloe and Yvette, and a mind-numbing job. But then he is thrown a life line. His uncle Jacob dies, leaving him a grand but crumbling house in the town of Aster, and Samuel persuades his reluctant family to seize this chance for a new beginning. At first Aster seems perfect, but soon the town's faultlines are revealed, and the family begins to feel the strain. Samuel opens an electrical shop, but the business falters as he falls victim to his own outlandish ambitions, trying to build computers when all the townspeople want is lightbulbs and radios. His wife is unhappy, and as for his daughters - they are drifting into a private world of two, their behaviour becoming ever more sinister and disturbing to everyone around them. When their school friend Ama comes to stay and nearly drowns in mysterious circumstances, and then a series of fires around the town go unexplained, Samuel and Maud must face up to the secrets within their own family, secrets that threaten to completely tear apart the life they have built.

Home, for me, was not a birthright, but an invention. It seems to me when we speak of home we are speaking of several things, often at once, muddled together into an uneasy stew. We say home and mean origins, we say home and mean belonging. These are two different things: where we come from, and where we are. Writing about belonging is not a simple task. Esi Edugyan chooses to intertwine fact and fiction, objective and subjective in an effort to find out if one can belong to more than one place, if home is just a place or if it can be an idea, a person, a memory, or a dream. How "home" changes, how it changes us, and how every farewell carries the promise of a return. Readers of Canadian literature, armchair travellers, and all citizens of the global village will enjoy her explorations and reflections, as we follow her from Ghana to Germany, from Toronto to Budapest, from Paris to New York.

Haunting and atmospheric, this debut novel portrays the heartbreak, hardship and moments of surprising grace in the life of a man struggling to realize his destiny.
A young man of astonishing promise when he emigrated from Ghana in 1955, Samuel Tyne was determined to accomplish great things. Fifteen long years later, he's an insignificant government employee who hates his job when he unexpectedly inherits his uncle's crumbling mansion in Aster, Alberta. Despite his wife's resistance and the sullen complaints of his thirteen-year-old twin daughters, Samuel quits his job and moves his family to the town. For here, he believes, is that fabled second chance, and he is determined not to fail again.
At first, Aster seems perfect -- to Samuel, the formerly all-black town represents the return to a communal, idyllic way of life. But he soon discovers the town's problems: a history of in-fighting, a strict town council and a series of mysterious fires that put all the townsfolk on edge. When his daughters cease speaking and refuse to explain their increasingly strange behaviour, Samuel turns more and more to the refuge of his electronics shop.
As his ambitions intensify, the life he has struggled so hard to improve begins to disintegrate around him, and a dark current of menace in the town is turned upon the Tyne family.